The Island of Freedom and the Communist Sea

This book-length publication, which I hope will be published digitally, will examine television news accounts of the Berlin Crisis broadcast in the United States from the 1950s through the mid-1960s.


The Island of Freedom and the Communist Sea

This book-length publication, which I hope will be published digitally, will examine television news accounts of the Berlin Crisis broadcast in the United States from the 1950s through the mid-1960s.


Activism and Urban Renewal in the Late Cold War

The intersections between urban renewal, political activism, and cultural production in the 1970s and 1980s in three neighborhoods: SoHo, Kreuzberg, and Prenzlauer Berg.


Activism and Urban Renewal in the Late Cold War

The intersections between urban renewal, political activism, and cultural production in the 1970s and 1980s in three neighborhoods: SoHo, Kreuzberg, and Prenzlauer Berg.


Architecture, Identity, and Politics in Divided Berlin

A comparative study of architecture and urban planning in East and West Berlin from 1945 to 1989, but focusing on the Wall era (1961–89).


Architecture, Identity, and Politics in Divided Berlin

A comparative study of architecture and urban planning in East and West Berlin from 1945 to 1989, but focusing on the Wall era (1961–89).


Past Projects: Nineteenth-Century Art Worldwide (2001–15)

From 2001 to 2015, I worked on one of the field’s first online scholarly journals, Nineteenth-Century Art Worldwide.


Past Projects: Nineteenth-Century Art Worldwide (2001–15)

From 2001 to 2015, I worked on one of the field’s first online scholarly journals, Nineteenth-Century Art Worldwide.


Past Projects: CASVA (2010–14)

From 2010 to 2014, I served as the Robert H. Smith Research Associate at the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington DC, where I worked on several digital art history projects.


Past Projects: CASVA (2010–14)

From 2010 to 2014, I served as the Robert H. Smith Research Associate at the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington DC, where I worked on several digital art history projects.